Dub: Soundscapes and Shattered Songs in Jamaican Reggae. MICHAEL. E. VEAL. Middletown CT: Wesleyan University Press, x + pp. (Paper US$ . Dub: Soundscapes and Shattered Songs in Jamaican Reggae by Sonic Bodies: Reggae Sound Systems, Performance Techniques and. Middletown, CT: Wesleyan University Press () pp., Paperback, $ The task of documenting and conveying the significance of a.
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Dub: Soundscapes and Shattered Songs in Jamaican Reggae
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Paul Corupe rated it liked it Nov 05, It’s clear from the author’s introduction that this is a personal music to him — one that grabbed his attention immediately and held it with sufficient vigor to create this extremely thorough review. Sounddcapes I greatly appreciate the new understanding I have gained about the specific personalities involved in the genesis and proliferation of the music, the details of the equipment and studios being used to create it, and the context in which Dub was played in Jamaica and abroad.
Apr 11, Sheehan rated it it was amazing. E rated it it was amazing Oct 10, Jun 22, Darren Hemmings rated it it was amazing Shelves: Aug 03, Lawrence rated it really liked it Shelves: In what seems like a useful if, to my knowledge, unprecedented and ultimately confusing application of Schafer’s term, Veal often znd soundscape as a verb e.
Something that ties together American Soul to Reggae to Dancehall to hip-hop to electronica to ambient to jungle, ad infinitum Return to Book Page. The author also covers the historical and sociological influences on dub and its assimilation into music of many cultures.
So this book is amazing in part because it not only provides a great history of dub, with good primary source interviews, it also contextualizes dub as helping create a meta-history of post-modern blackness that creates a referent point for reflection beyond just the auditory. Jun 21, Colin Masso rated it it was amazing. Index shartered Songs and Recordings.
Dub: Soundscapes and Shattered Songs in Jamaican Reggae – Michael Veal – Google Books
No trivia or quizzes yet. All the talk of circuits, knobs, and switches can distract one from the fundamental reality that what these musicians were doing was synthesizing a new popular jqmaican form, creating a space where people could come together joyously despite the harshness that surrounded them. Soundsczpes only real issue I had with the book are the constant regbae of songs with their dub remix versions, replete with blow-by-blow verbal descriptions of what’s happening in the song, in technical musicologist terminology.
Some great bios and stories of the key players in dub are the highlight of this book. Aside from that, an excellent overview of a rarely-covered field of study. As the author puts it:. Without cookies your experience may not be seamless. Preview — Dub by Michael E. Account Options Sign in. And sundscapes my world opened up, the Blood and Fire label was reissuing so many masters of dub, my homeboy Dan turned me on to King Tubby, and well really from then on, I pretty much found my heart in the rockers-era Waterhouse sounds of Jamaican Dub.
The author cites specific a and b-sides of singles to describe what makes each engineer unique.
The author takes pains to mention that there has never before been a book dedicated solely to the genre of Dub, and I am very grateful that the subject has been taken up and that this book exists.
I suppose that I had just hoped that the first volume on the subject would be a pure history, concerned more with chronicling the who, what, when, where and how of the music rather than using it as a launching point for a pedantic examination of its sonhs and cultural implications.
[PDF] Dub: Soundscapes and Shattered Songs in Jamaican Reggae (Music/Culture) Read Online
JHat rated it really liked it Apr 05, There are also some interesting ideas about connections between dub and other musical styles. The Backbone of Studio One. Index of Jamaaican Subjects. Jamiacan it had recommended playlists. Will Evans rated it really liked it Jul 06, They created a music as roughly textured as the physical reality of the place, but with the power to transport their listeners That being said, between some tips from this book, Internet searches, Pandora’s dub channel, and watching the film Rockers recommendedSoubdscapes had an enjoyable, deeper excursion into the world of dub.
I also appreciate the effort in linking Dub to the other styles of music it influenced, but Jamaian had hoped for more causal and direct links rather than theorized and abstract ones. The reason that I think those two artists in particular were important to have brought up, is that their influence from Du This book had much to say on the techniques used to create some of the most distinctive soundscapes in recorded music.
May 03, Joe rated it liked it. Oct 21, Adam rated it it was amazing.
Although a smattering of articles and chapter-length treatments of dub can be found across the disparate reggae and eongs music literature, Veal’s study is the first extended work to approach what he calls the “sonic, procedural, and conceptual aspects” of dub in substantial depth.
Michael Veal’s Dub is an informative and welcome contribution to the reggae literature, to studies of Caribbean, Afrodiasporic, and Afro- American music and culture more generally, and to the growing field of writings [End Page ] concerned shatterred recording technologies and the social as well as musical dynamics of recording studios MeintjesKatzGreen and Porcello Clear-headed academic overview hsattered dub.
Aug 05, Jesse rated it really liked it. David Willerton rated it it was amazing Sep 27, In early s Jamaica, Osbourne “King Tubby” Ruddock, Lee “Scratch” Ssoundscapes, and several other engineers took recordings of popular reggae songs or rhythm tracks and applied such studio tricks as echo I’m not against academic writing – this is just a potential diamond in the rough that needs much more polish to be clear.